Neumann - KMS 104
499,17 €
excl VAT
with eco participation: 0,07 €
In Stock
Satisfied or refunded until 15/01/2025*
Usually shipped within 3 days
+infos
Warranty 3 years
Wired Microphones
The KMS 104/105 is a reference on stages around the world. For demanding singers, the microphone for a lifetime!
ARTICLE N° 9286
Specifications
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Micro song for Neumann KMS 104 Nickel color scene
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Acoustic operating principle Pressure gradient transducer
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Cardioid / Supercardioid
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Frequency response 20 Hz to 20 kHz
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Sensitivity at 1 kHz into 1 kohm 4.5 mV / Pa
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Nominal impedance 50 ohms
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Load impedance 1000 Ohms
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Noise level reduced to the entrance, according to CCIR 468-3 1) 28 dB SPL
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Reduced noise level to entry, DIN / IEC 18 651 dB (A)
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Report Signal / Noise according to CCIR 468-3 (to a level of 94 dB SPL) 66 dB
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Signal / Noise to DIN / IEC 651 (to a level of 94 dB SPL) 76 dB (A)
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Maximum SPL for THD = 0.5% 2) 150 dB
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Maximum Level +12 dBu output
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Dynamic range of the microphone preamp built according to DIN / IEC 651 132 dB (A)
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Supply voltage (P48, IEC 1938) 48 V ± 4 V
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Current consumption (P48, IEC 1938) 3.5mA
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Output connector XLR 3M
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Weight approx. 300 g
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Diameter 48 mm
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Length 180 mm
Presentation
The KMS 104 and KMS 105 microphones have been developed to permit optimal sound of the human voice. They are ideal for demanding applications concert. The KMS 105, already available on the market in recent years, has become an internationally recognized standard in the field of high-quality stage microphones.
Information
Capsule type
Capacitor
Application
Singing, Live, Speaking voice, Wind instruments, Acoustic guitar
Directivity
Cardioid, Supercardioid
Impedance
50 Ohm
Switch On/Off
No
Power supply
Via +48 V phantom power supply
Color
Nickel
Connectors
XLR male 3 pins
Accessories included
Clip, Carrying Bag
To go further...
Acoustic characteristics
The studio condenser capsules used in both microphone allow from the outset, to capture all the nuances of the human voice. In comparison with other handheld microphones, which use most dynamic capsules, the KMS series offers a high degree of acoustic transparency, a wide frequency range and a fine resolution of transients.
In both microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high levels of sound pressure, avoid overloading the microphone, even by strong plosive sounds.
Despite excellent protection against plosives, sibilants and other sounds "S" are transmitted with their natural accentuation, as only condenser microphones allow. In addition, the already mentioned acoustic filters are designed so as to preserve the capsules directional characteristics even in the bass. These filters therefore provide the vocal microphones KMS 104 and KMS 105 a very effective protection against feedback when used in sound reinforcement.
Electrical Characteristics
Since vocal microphones are used most often in proximity, electronic compensation serious mitigates the proximity effect on the capsules.
In addition, each microphone has a non switched off high pass filter whose cutoff frequency is 120 Hz (-3 dB point measured in open field). The dynamic range of the KMS 104/105 is 132 dB, and the level of maximum permissible sound pressure of 150 dB.
The background noise level is reduced at the input of only 18 dB (A). This allows the use microphones with a high gain levels without the risk of additional noise. Even at great distances, the microphones ensure high signal / noise ratio, facilitating the freedom of movement and creativity, important aspects for the artist.
Thanks to the transformerless output circuit, the microphone signals can be transmitted over long cables without sound degradation.
Mechanical characteristics
Microphones designed for use on stage must have a particularly robust construction. Therefore, KMS 104 and KMS 105 have a metallic body of great thickness, also provide effective protection against handling noise.
The gates of these microphones are resistant steel. If necessary, they unscrew easily, to allow cleaning of internal acoustic filters.
Comes with
The KMS 104 and KMS 105 microphones are supplied with a microphone stand clamp and a padded nylon bag that is sufficiently durable for touring.
The studio condenser capsules used in both microphone allow from the outset, to capture all the nuances of the human voice. In comparison with other handheld microphones, which use most dynamic capsules, the KMS series offers a high degree of acoustic transparency, a wide frequency range and a fine resolution of transients.
In both microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high levels of sound pressure, avoid overloading the microphone, even by strong plosive sounds.
Despite excellent protection against plosives, sibilants and other sounds "S" are transmitted with their natural accentuation, as only condenser microphones allow. In addition, the already mentioned acoustic filters are designed so as to preserve the capsules directional characteristics even in the bass. These filters therefore provide the vocal microphones KMS 104 and KMS 105 a very effective protection against feedback when used in sound reinforcement.
Electrical Characteristics
Since vocal microphones are used most often in proximity, electronic compensation serious mitigates the proximity effect on the capsules.
In addition, each microphone has a non switched off high pass filter whose cutoff frequency is 120 Hz (-3 dB point measured in open field). The dynamic range of the KMS 104/105 is 132 dB, and the level of maximum permissible sound pressure of 150 dB.
The background noise level is reduced at the input of only 18 dB (A). This allows the use microphones with a high gain levels without the risk of additional noise. Even at great distances, the microphones ensure high signal / noise ratio, facilitating the freedom of movement and creativity, important aspects for the artist.
Thanks to the transformerless output circuit, the microphone signals can be transmitted over long cables without sound degradation.
Mechanical characteristics
Microphones designed for use on stage must have a particularly robust construction. Therefore, KMS 104 and KMS 105 have a metallic body of great thickness, also provide effective protection against handling noise.
The gates of these microphones are resistant steel. If necessary, they unscrew easily, to allow cleaning of internal acoustic filters.
Comes with
The KMS 104 and KMS 105 microphones are supplied with a microphone stand clamp and a padded nylon bag that is sufficiently durable for touring.
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Spotlight on
A legendary brand for decades, present in all the major recording studios, Neumann is a guarantee of high quality and professionalism. The Beatles, Natalie Cole, Celine Dion, Bryan Adams and Beyoncé... all use this exceptional brand with the famous U87, and the TLM49 at the top of the list. In home studio, the TLM103 and TLM102 condenser microphones are the most popular. For studio sound on stage opt for the KMS105. In recent years, Neumann has also offered the high-end KH80, KH120 and KH310 monitors.